#Safari swing full
#Safari swing code

I think there is a very good chance of the code containing hacks and workarounds and also tons of security loopholes because of the insane speed at which features are being thrown into the code. It's just that the high speed of the compatibility improvements for ACID3 in almost all the mainstream browsers screams of hackathon coding sessions to get those few points a day till 100 so that there can be a marketing and PR blitz rather than properly planned programming. So a browser can pass the test and still suck at implementing standards, though passing the test is good step.

#Safari swing full

Any developer worth his salt knows that browsers are huge and complex applications and every change must be discussed, designed and implemented properly as to not impact something else and be modular, be properly commented and be clean and well written code.ДЄlso, Acid3 is just about the corner cases, and might not reflect the full standard completely. The speed at which the browsers seem to be gaining acid3 compatibility is frankly worrying me. And last but not least we have Henry Mancini's Baby Elephant Walk from the film 'Hatari!' starring John Wayne, which, bathed in Bert Kaempfert's 'Afrikaan Sound,' takes on a whole new interesting dimension.ДЇourteen years lie between these two LP productions - each of which having its own particular attraction.The problem with races is that the teams do almost anything just to cross the finish line faster. The nine original compositions by Bert Kaempfert and Herbert Rehbein are complemented by the delightful Tom Hark with its improvisatory tossing back and forth between the trumpet and trombone, Pata Pata, a top-ten hit from the South African-born Miriam Makeba, and the traditional sugar Bush, taken from the South African song collection 'Songs from the Veld' and performed by such great artists as Doris Day and Frankie Laine. Further tonal attractions are provided in lengthy solos by Ack van Rooyen (trumpet) and Jiggs Whigham (trombone). This unique sound of the flutes is also heard aplenty in SAFARI SWINGS AGAIN, and is accompanied by a larger orchestra than that of the 1962 production. That was real hard work! But at last he heard what he wanted and Bert was really satisfied to have captured the charm of the whistles in 'his' piccolos,' reminisced bass guitarist Ladi Geisler.

'At the rehearsals, Bert Kaempfert tried to get the piccolos to imitate the sound of penny whistles. The typical Kaempfert rhythm had been enhanced by a sensational sound coming from the flutes: here Bert Kaempfert oriented himself on the sound produced by blowing penny whistles in a special way as found in South African Kwela music whose style had been influenced by American swing and was very popular with young black people in the townships. As the title suggests, Bert Kaempfert intentionally wanted to follow in the footsteps of his legendary LP A SWINGIN' SAFARI from 1962 with his such as Afrikaan Beat, Happy Trumpeter and the title number A Swingin' Safari which brought him success all over the world and two gold discs. This album was recorded in the Polydor Studio in Hamburg at the beginning of October 1976 by the usual recording engineer, Peter Klemt. In June 1993 he was elected to 'The Songwriters' Hall of Fame' in New York - the first German to receive this most prestigious of all international awards. That his music and compositions have a firm place in international music life is emphasized by numerous posthumous awards. At the early age of 56, Bert Kaempfert died of a stroke on 21 June 1980. Invisible' received triumphant applause at his first two live concerts in London's Royal Albert Hall. In 1968 Bert Kaempfert won no less than five of the annual BMI awards in New York in the category of 'most played compositions' for Lady, Spanish Eyes, Strangers In The Night, Sweet Maria and The World We Knew. DJs in the American music magazine Cash Box voted his orchestra 'Band of the Future.' He was the first German bandleader to be awarded a gold record in the USA. 1 hit in the USA, Wonderland By Night, which went on to conquer the world.

Bert Kaempfert's great breakthrough came in 1960 with his No.